Minggu, 28 Februari 2010

Jumping Through Hoops


So tonight are the Closing Ceremonies, and lots of people have requested that I do Olympics nails over the course of the past few weeks, and wellllll, tonight is my last chance!! Pardon the shakiness, I just got home, I went to class from 8-1, hockey game from 130-5?, and drinking from 5-7 or so with some buddies from work. Good times. Note to self: NEVER drink Newcastle after SUPER-hoppy IPA, will taste horrible and like nasty caramel. Anyway, on to the nails.



I used Sally Hansen All the White Stuff, China Glaze Salsa for the red, Pure Ice French Kiss for the blue (and mixed with Sally Hansen All the White Stuff for the midsection of the logo body), Zoya Raven for the black, Diamond Cosmetics #319 Lemon Yellow Zest for the yellow, and Nubar Forest for the green. Topped everything off with 2 coats of Seche Vite top coat.

Congrats to all the countries on a job well done at the Olympics!! :)

Sabtu, 27 Februari 2010

It Ain't Easy Being Cheesy


Today's nails were inspired by something... and I'll give you a hint... They're little, and cheesy, and sometimes I have them for breakfast with my Dr. Pepper.... If you guessed Cheetos- YOU'RE RIGHT!! :-D I mixed both the mascot - Chester the cheetah's spots, with the orange funk that always covers your finger tips after a few of the electric orange morsels of deliciousness.



I used Sally Hanson Hard As Nails Xtreme Wear in 06 Sun Kissed as a base, with Zoya Raven applied with Konad Plate m57. For the orange Cheetos film on the tips, I sponged Electric Orange over the Konad pattern, and then sponged Essie Matte About You over top of it. For the shiny portion of the nail, I used Seche Vite top coat.

Dangerously cheesy.

Jumat, 26 Februari 2010

That's Gonna Cause a Gummyache.


Ok, so today's nails are an homage to Fish. Not the cold, scaly, stinky kind, but the dude I work with, whose nickname is Fish. The plan today was to test his theory that he could eat a 5 lb gummy bear in one sitting. Unfortunately though, the company we work at caught wind and said 'No way Jose, not on OUR property!' So we went to Buffalo Wild Wings for lunch and he attempted the gastronomical feat there. The goal? See how much he could eat of it in a mere hour. Let me say, we were ALL impressed. He ate over 3 POUNDS of gummy bear in 1 hour. PLUS- the only reason he stopped is because we had to go back to work, he came back from lunch and promptly ate a sandwich. Seriously. In honor of what was to originally take place today, I painted gummy bears on my nails- even the best flavor - clear (pineapple) on the pinky nail, even though it is hard to make out what it is. :-P OVER 3 POUNDS! I feel nauseous just thinking about it. The thing was the size of a baby. No joke. Fish ate a baby.



I used OPI Alpine Snow Matte as a base, which chipped horribly within 2 hours. For the red bear, I used China Glaze Salsa, for the orange bear, Sally Hanson Hard As Nails Xtreme Wear in 06 Sun Kissed, for the yellow bear Urban Outfitters Yellow 1, for the green bear, OPI Green-wich Village, and for the clear bear, I used Maybelline Banana Puddin', which I can't find a link for, but I got mine from a lovely Aussie girl on Makeupalley.com. Everything was mixed with Sally Hansen All the White Stufffor the highlights. For the clear bear, I used Urban Outfitters Yellow 1 to distinguish the shapes on the bear (eyes, belly, etc). Topped everything off with 2 coats of Seche Vite top coat.

The maiden bite. He bit off his face because the bear was supposedly 'looking at him funny'.



After 3 lb. 3 oz was eaten.



And...because I found it amusing... the Spork, which isn't really a spork, but a Star Trek fork.



Eat Long and Prosper.

My teeth hurt.

Kamis, 25 Februari 2010

I Feel So Desert-ed.


Hey everyone!! Today's nails are an homage to the seemingly endless span of desert that surrounds the lovely city of sin, booze, hookers, and gluttony that I reside in. :-P No, those aren't bats, they're vultures- the Hunter S. Thompson/Fear and Loathing/Steadman nails are to come in the near future I think. :-D



I used Zoya Yummy as a base, with American Apparel Palm Springs for the desert, then mixed with Zoya Dea to shade. For the cacti, I used L.A. Girl Army Green, that I got at Urban Outfitters, Pure Ice Wild Thing to highlight, and Nubar Forest
for shadow. For the vultures, I used Zoya Raven. Topped everything off with Seche Vite top coat so it'd dry superfast, then topped off the sand portion with Essie Matte About You. :)

Note: No bodies are buried in the desert pictured, unlike the desert surrounding Vegas. ;)


Rabu, 24 Februari 2010

I've Gotta Go No. 2.


hahha. Did the title worry you? :-P

I was laying on the couch last night trying to think of what to do on my nails, and totally not wanting to go out to my car to get my idea notebook. Suddenly it dawned on me, based on my nails yesterday, to do pencils!! :)



I used a mix of China Glaze Salsa and American Apparel Palm Springs for the eraser, China Glaze Millennium for the metal band, and then mixed with Zoya Raven for the shadow on the grooves on the band. For the pencil portion, I used Diamond Cosmetics #319 Lemon Yellow Zest for the pencil color, and then mixed with Electric Orange for shading on the sides of the pencil. Topped off the pencil and metal parts with Seche Vite top coat and the eraser with Essie Matte About You to give it that rubery look, but my lotion made it sorta shiny. damn. Oh well, now it looks like one of those old, hard erasers. :-P

LORAC sale on Hautelook!



Woot!! LORAC Sale on Hautelook- everything starts at $4, almost everything is $4 or $5, and the most expensive item is a palette for $16.50 Head on over. LOTS of e/s, l/s, cheek colors, and palettes. :)

Hautelook


Selasa, 23 Februari 2010

Playing Fast & Loose(leaf)


Today's nails started out in my mind as just sheets of looseleaf paper, but I told my friend Erik (of Vegas Made Me Do It fame) of the idea, and he suggested that I add letter grades, so there you have it.



I used Sally Hansen All the White Stuff as a base, with a mix of Sally Hansen All the White Stuff and China Glaze Salsa for the pink lines, a mix of Sally Hansen All the White Stuff and Zoya Yummy for the blue lines, Zoya Raven for the holes, China Glaze Salsa for the grades, and Essie Matte About You to make it flat. Real pencil was used after the matte dried to draw on the squiggles to look like writing. :)

Did it make the grade?

Road movies: On Chris Petit's film & video essays

Last updated February 24, 2010
Brilliant profile of film director Chris Petit in conversation with Allan Bairstow. 

“I was interested in seeing if there was a way of producing a film which was constructed more like writing - because when you are writing something you don't necessarily know where it is going to end up... The Falconer [Petit, 1997] for example never really aspired to be a film, more to a state of mutation or hybrid. It was an essay or graphic novel as much as it was a film, an exercise in vertical layering rather than linear unfolding.”
Truth and invention, real lives and fiction become indistinct and equal elements, merging with other people's work in the found-footage style, to create a single fabric of random spontaneous expressiveness, not unlike the life that slides by in front of a shop video camera. Each piece of film presents a clue to an inextricable tangle to which everything in the world is connected in its spider web of time, space and chance.
   — Excerpt from Serafino Murri, `Chris Petit, Anatomies of the Image', in Afterall - A Journal of Art, Context and Enquiry, Issue 5, February 2002

Chris [Petit] was much taken with [critic Manny Farber's] writings on American cinema of the 1940s, and with the way in which Farber could notice a detail in a movie, a moment, a glance, and celebrate the beauty and complexity of just that. The narrative was largely unimportant, but the way an actor like Robert Mitchum moved, or the way Bogart looked up just before crossing a street, these were the things that Farber believed were significant.
     So Chris made a film essay about these ideas that is a road trip across Arizona and Nevada and California, and through the psyche of American cinema. It's a documentary in which the road becomes a movie, just as it did for Wenders and so many others. It's about film and about memory, as well as about the way we mis-remember movies -- and life -- all the time. It's a television programme that's also about photography (the Polaroid frame is a key device) and about painting. It's about Rossellini and Godard, and about Europe and the USA. And it's a sort of a love story too, between the filmmaker and his travelling companion.
     There are so many things to like about negative space: the ways in which it interrogates sequences and the surfaces of the cinema image; its complex, half-heard and half-recalled soundtrack; the sense of nostalgia for cinema, and for a particular studio-based cinema from a specific historical moment; the unexpected beauty of small-town America in both the 1940s and the 1990s; its analysis of physical and psychological and cinematic space; the bold, deliberate provocation of a film made for television that breaks most of the rules; and then at its centre, the rueful, wise and fragile Manny Farber, filmed so informally by the director on a camcoder that sometimes you wonder if he ever looked through the viewfinder.

Film Studies For Free's author has been doing a little research on the wonderful work of British filmmaker and video essayist Chris Petit. It seemed only proper, therefore, that she should share the excellent online and freely accessible sources she came across in the process -- including the remarkable documentary embedded above - with this blog's faithful readers.

If you are specifically interested in Manny Farber, subject of Petit's brilliant 1999 film for television negative space (someone, anyone, please release this film on DVD!), then you should also check out yesterday's FSFF post.

Petit has recently premiered, in Rotterdam and London, a new documentary called Content, described in its press material thus:
an ambient 21st century road movie that is essay rather than fiction, drift rather than destination. It is a film about life in the rearview mirror, memories of other journeys (Poland to Texas), the You Tube generation and email seduction. It is also about driving into the flatlands of late middle age, about fathers and sons and growing up in the cold war, about genocide and political assassination, and the postwar landscapes of Europe and the USA.
Content will be screened again in early March at London's ICA.

If you live in or near that city, you can see two of Petit's feature-length films for free at the BFI Southbank Mediatheque (Radio On [1997] and London Orbital [2002], co-directed by Iain Sinclair).

Online work by Chris Petit:
Online writing about Chris Petit's films

    Senin, 22 Februari 2010

    Liquid Hot MAG-MAH.


    Hey everybody!! :) I've been wanting to do this ever since I remembered the Cover Girl Crackle Polishes from long ago. Unfortunately, I cannot find a BLACK bottle of Cover Girl Crackle to save my life. However, I found this bottle of no-name crackle polish at a Halloween store, and finally decided to try it. Unfortunately, as it dried, it turned from Black to grey, but you can see where it stayed black in some spots.. :( Oh well, I still think it give close enough to the desired effect. I marbled red and orange underneath the crackle polish to give the feel of swirling lava.



    I used Sally Hanson Hard As Nails Xtreme Wear in 06 Sun Kissed as a base, with China Glaze Salsa and Electric Orange marbled on top. I then brushed a coat of the aforementioned no-name black Halloween store crackle polish. Once it crackled, I topped it all off with 2 coats of Seche Vite top coat.

    And for those that might remember the game, for those who love Daniel Tosh (of Tosh.0 and comedy fame), and for my friend Jordan....

    THE FLOOR IS LAVA, THE FLOOR IS LAVA!

    Manny Farber Studies

    Last updated February 23, 2010
    Distinguished scholars Robert Polito and Patricia Patterson discuss Farber on Film: The Complete Film Writings of Manny Farber, a collection of Farber's film criticism that spans his early weekly reviews for The New Republic and The Nation to his later essays (some written in collaboration with his wife, Patricia Patterson). Farber's unusual and pointed prose was credited by many with reinventing film criticism. Later, he devoted himself to his painting and taught film and art at UC San Diego from 1970 to 1987. Courtesy of UCtelevision

    Well, looky here at this, says Film Studies For Free: a remarkably rich and informative, hour-long discussion about the work of legendary American film critic Manny Farber. And there's another, half hour shorter documentary embedded at the foot of this post that tackles the subject of Farber's painting, and places it in the context of his film-critical work, to a certain extent.

    FSFF adds to the experience by providing some links to other choice scholarly material about Farber. Readers might also like to revisit FSFF's monumental links post The Value of Style: Film Criticism in Scholarship

    There's another Farber related post coming up at this here blog very soon [now posted], so y'all come back now, and we'll ditch the possibly unconvincing, and certainly irrelevant, American accent...


    Manny Farber and Hugh Davies of Museum of Contemporary Art San Diego
    [The video package about Manny Farber begins eleven minutes in].
    Learn about two men who are helping to put San Diego on the art world's map: Hugh Davies, director of the Museum of Contemporary Art San Diego, and local painter Manny Farber. In the studio with Gloria Penner are: Stephanie Hanor, Assistant Curator, Museum of Contemporary Art San Diego, and Robert Pincus, Art Critic, San Diego Union-Tribune. 

    Minggu, 21 Februari 2010

    You've Crossed the Lines


    For those of you that are new readers, I am a part-time culinary student in addition to my full-time employment, as well as this lovely blog in the browser before you. Today's class was awesome, yet brutal. Therefore, I'm thoroughly exhausted, soooo, simple nails. (sorry) I am using two things in this mani that I haven't yet used, Zoya Harlow Matte, and the line pattern from Konad Plate m65.



    I used Zoya Harlow Matte as a base, with China Glaze DV8 applied with Konad Plate m65 as well as freehanded on the tips. No Seche Vite today.. it must be a sin, right? (and on Sunday, no less)

    k, I'm off to enjoy my goodies from class!! :)

    Sabtu, 20 Februari 2010

    I Can See Clearly Now...


    ....the Rain is Gone. :-P

    Welcome, all, to Day #3 of Hey, I'm Going To Get a Song Stuck in Your Head! Today's song of choice? 'I Can See Clearly Now' by Jimmy Cliff :-D You're welcome.

    Sorry today's post is so late tonight. 10 p.m.! I was out of the house all day helping my friend Jessica with wedding stuff! :)



    I used Orly Snowcone as a base, with Sally Hansen All the White Stuff sponged on to make clouds, which were shaded with Urban Outfitters Blue 2 sponged over the white. For the sun, I used Diamond Cosmetics #319 Lemon Yellow Zest and Electric Orange. Topped it all off with 2 coats of Seche Vite top coat.

    Note: It's going to be a bright...bright, briiiight, bright sunshiny dayyyyy. :)



    Jumat, 19 Februari 2010

    Rubber Ducky, You're the One...


    You Make My Bath Time, So Much Fun!

    Welcome to Day #2 of 'Try to Get That Song Out of Your Head'!! :-P Today's nails are inspired by a cake that my friend Brienne did with a rubber ducky and bubbles. it was sooooo cute. I'll try to find pictures! (or ask her for one) :-P



    I used Orly Snowcone as a base, and mixed with Pure Ice French Kissfor the different tile colors. For the Dark blue outlines, I used Pure Ice French Kiss, for the water highlights and some of the tiles I used Orly Snowcone mixed with Sally Hansen All the White Stuff. For the grout, I used Sally Hansen All the White Stuff, and for ducky, I used Diamond Cosmetics #319 Lemon Yellow Zest for the body, and Electric Orange for the beak/bill and mixed with Diamond Cosmetics #319 Lemon Yellow Zest for the wing shading. For the eye, Sally Hansen All the White Stuff and Zoya Raven. There is also a little bit of Sapphire Sparkle Effect on the bubbles, but it is hard to see. I topped everything off with 2 coats of Seche Vite top coat.

    Don't forget to wash yer butt. <---Words of Wisdom.

    Kamis, 18 Februari 2010

    Walk Like an Egyptian


    I am completely obsessed with Egypt. With ancient civilizations. With awesome. I have been a history nerd for longer than I can remember, I was the kid in the biography section of the library of the elementary school, the one checking out books on dead presidents and historical figures. I could watch History Channel all day long. Egypt, however, will always top my list of fascinating subjects, faraway lands, architecture, civilizations, etc. I just find it incredible to see things that were built or made thousands upon thousands of years ago that are #1. still intact and #2. made by hand without any of today's modern conveniences. I love going to Egypt exhibits in museums, and it baffles me that a cane, or a necklace, or a chair still exists, wholly intact, with the paint still vibrant and beautiful, which was made forever ago, but a pair of jeans I bought less than a year ago, or a dish that I have only had for a short time, etc. has long since broken or fallen apart. Our generation won't leave anything like that behind, it rather saddens me. But enough about nerdy history talk... on to the nails!! Today's nails were painted with actual Egyptian hieroglyphics!!



    I used OPI Sand in My Suit as a base, Zoya Dea for the hieroglyphics and sponged VERY VERY lightly over 2 coats ofEssie Matte About You.

    BTW, Good luck with getting that song out of your head...


    To Decasia and Back: Film Preservation Studies

    Short documentary by Louise Lambert (2005) about Bill Morrison's experimental collage film Decasia (2002). You can also read David Cairn's great entry on this film for the Film Preservation Blogathon here. Further articles on this film are listed below.

    Film Studies For Free is very honoured to contribute an entry to the "For the Love of Film! Film Preservation Blogathon". As FSFF readers will already know, this highly worthwhile event has been organised by greatly esteemed bloggers Self-Styled Siren and Marilyn Ferdinand (the latter of the wonderful Ferdy on Film). 

    Below are embedded some entertaining and informative online videos about film preservation, and below those are some links to further, openly accessible, scholarly material about this essential but expensive art and science.

    If you would like to make a donation to the Blogathon's chosen charitable recipient, the National Film Preservation Foundation (U.S.A), one of the most active and important preservers of film anywhere in the world,  please click here.

    The National Film Preservation Foundation is the independent, nonprofit organization created by the U.S. Congress to help save America’s film heritage. They work directly with archives to rescue endangered films that will not survive without public support. The NFPF will give away 4 DVD sets as thank-you gifts to blogathon donors chosen in a random drawing: Treasures III: Social Issues in American Film, 1900-1934 and Treasures IV: American Avant Garde Film, 1947-1986.
    So you can see for yourselves the important work that the NFPF does, here's the list of films it has helped to preserve so far.

    If you would like to contribute to the cause of film preservation in a country other than the U.S. you can find details of all national affiliates to the International Federation of Film Archives (FIAF) via FIAF's online directory here.
    To access a list of all entries to the "For the Love of Film" Blogathon to date please click here. If you need further inspiration to donate or otherwise get involved in this cause, do watch Greg Ferrara's wonderful video commercial for the Blogathon at his website Cinema Styles.


    A great introduction to the practicalities of film preservation (with a terrifically entertaining voiceover). It looks at the preservation of Humphrey Jennings and Stewart McAllister's 1942 film Listen to Britain at the British Film Institute archive.

     
    Treasures of the Academy/"Guardians of History" Documentary Channel/Academy of Motion Picture Arts and Sciences produce an in-depth look at the importance of film preservation. John Huston's World War 2 documentaries, "Battle of San Pietro" and "Let There Be Light," which have been preserved by DOC and AMPAS, are highlighted as examples of film as living history. Featuring interviews with John Huston's son, Tony, and top directors and historians who shed considerable light on this important, exciting subject. Parts 2 & 3 below.
     
    Part 2

    Part 3

     
    Francis Ford Coppola on Film Preservation and Technology



    A sad reminder of the extreme end of celluloid's ephemerality through neglect: "Spectacular footage of 1937 Fox Film storage facility fire in Little Ferry, NJ - Digital/upload by F. Fuchs Filmed by W. Zabransky. Theda Bara and other FOX films/negatives were destroyed."

    Rabu, 17 Februari 2010

    Stereotyping Suburbia


    These nails are inspired by and dedicated to the stereotypical suburban dream. I can just picture the Nuclear family (Parents, 2.2 kids, dog), waving from the other side. :-P Not sure what made me think of it. I think there was a white picket fence mentioned on tv while I was watching. Who knows. lol



    I used Orly Snowcone as base, Sally Hansen All the White Stuff
    for the picket fence, and both BB Couture Poison Ivy and Green Scene for the grass. :) Topped off with 2 coats of Seche Vite top coat.

    Selasa, 16 Februari 2010

    Luxurious Rage


    Hey everyone!!! Totally spaced on it being Mardi Gras today, having yesterday off threw off my schedule... I was convinced yesterday was a Sunday, so my apologies, no Mardi Gras nails... :-/ However, I was lucky enough to find a Sally Beauty that was selling the ORLY Foil FX collection, even though I'm thinking they weren't supposed to have them out, since it wasn't in their system, and I can't find anywhere selling it online yet. These colors are amazing. Like AMAZING. I wanted to do a design that would let the colors I chose shine.. literally. I bought all three, Rage, Luxe, and Shine, but only employed 2 in this design. When these polishes are for sale online, I will change the polish names to links like I usually have.

    UPDATE: Head2toeBeauty is selling these polishes online, so click on the name of the polish below the pic to take you to the site where they are available for purchase- thanks Mood Puppet for the heads up! :)



    I used Orly Rage as a base, which is a gorgeous Rose Gold foil, then sponged a little bit of Orly Luxe (the gold foil) on the tips, and then applied Zoya Raven with Konad Plate m70. Topped everything off with 2 coats of Seche Vite top coat.


    Tip:
    When stubborn glitter/shimmer wont leave your cuticles, use a nail cleaning brush to remove after polish is dry and you've cleaned up the cuticles with remover and a brush.

    Laura Mercier Sale at Hautelook!


    Hey all, another cosmetics sale at Hautelook- Laura Mercier!!

    There are brush sets, candles, palettes, eyeshadows, mineral eyeshadows, lipsticks, tanner, etc..

    Hautelook sale




    Senin, 15 Februari 2010

    Slow Down, Don't RUSH more!


    Hey all!! Guess what today is? (Besides a day I got off of work?) PRESIDENT'S DAY! (Hence the day off work!!) In honor of the holiday, I decided to do my depiction of Mt. Rushmore on my nails.. :-P They're immortalized on money, in stone, and now in nail polish. ;)



    I used Orly Mirror, Mirror as a base, and mixed with varying amounts of Zoya Raven for line work and shading. For the sky, I used Zoya Yummy. Topped everything off with 2 coats of Seche Vite top coat.

    Happy President's Day! :)

    Minggu, 14 Februari 2010

    A Little Less Conversation, A Little More Action


    Hey everyone- just thought I'd show the naughtier side of Valentine's Day today, since yesterday's nails were so sickeningly sweet (literally ;-P) Anyway, I know a favorite Valentine's Day pastime is doin' the naughty, and while I'm spending my day today in class, and watching episodes of Dexter from Season 1, I thought I'd do a tribute to everyone else's day. :-P



    I used MAC Abalone Shell as a base, which is a great color to match my skintone, especially in natural light. For the corset color, I used China Glaze Salsa, and Zoya Raven applied with Konad Plate m57 for the fishnet overlay and black. For the cleavage on the thumb, I used Zoya Dea. and for the bra part, I used heart gems from a store called Chika Chika that was going out of business in the mall. :) Topped everything off with 2 coats of Seche Vite top coat.

    Happy Valentine's Day, kids!

    Sabtu, 13 Februari 2010

    Conversation With a Crunch


    Hey all!! Happy Valentine's eve! In honor of tomorrow being Valentine's Day, I did conversation heart nails! :) I had them on the list, but they were also a request from reader 'Ms. Moment'. :)



    I used OPI Gargantuan Green Grape matte for the thumb, China Glaze Lemon Fizz for the index, China Glaze Peachy Keen for the middle, essie Lilacism for the ring finger, and American Apparel Palm Coney Island for the pinky. For the lettering, I mixed American Apparel Palm Coney Island with China Glaze Salsa. Topped everything off with two coats of Essie Matte About You to get that chalky candy finish.

    *No Conversation Hearts were wasted in the creation of this nail design, they were all eaten.

    Jumat, 12 Februari 2010

    For Your Thoughts.

    Hey everyone! Guess whose birthday it is today? I'll give a hint... he'd be 201 years old today. He sported a lovely beard. He was assassinated by John Wilkes Booth. ;) Ok, if you haven't figured it out yet, its Abe Lincoln!! :-P In honor of our 16th President's birthday, I decided to do penny nails, since he's on both sides!! :-P It didn't turn out as well as I'd hoped, because I quickly discovered it is very hard to paint the detail of a penny on a fingernail with a nail art brush. :-P it'd have to be like a single bristled art brush! lol



    I used Milani Sassy Brassy, which to me looks more like copper, as a base, with a mixture of Zoya Raven, Zoya Angelina and Nubar Milk Chocolate Creme for the linework, and Zoya Raven for the black background, topped with Essie Matte About You. Penny art was topped off with 2 coats of Seche Vite top coat to really make 'em shine. ;)

    Now, how about your 2¢?

    Kamis, 11 Februari 2010

    Cause & Effects

    Hey everyone!! Today's nails were inspired by the kick-ass new colors that were sent to me to play with by CND (Creative Nail Design) They are amazing, and I'm not just saying that because they were gratis. They are super easy to apply, and are so close to being opaque, that I could've gotten away with one coat, but did two for good measure. Green Scene is well on it's way to becoming my favorite green, and Electric Orange is the orange creme I've been looking for! Lol, I'm such a nerd, but you can even ask my roommate how excited and impressed I was when I tried these. Today's manicure is utilizing all 3 colours and 2 effects that were sent, (Thank you!) I tried Konad stamping with the effects, but it didn't work very well :-/ but I included a closeup of the pinky, where you can see some of the orange/copper reflect from Copper Shimmer Effect polish, and some of the blue sparkles on the ring finger from Sapphire Sparkle Effect polish. Lesson learned I suppose.





    I used Green Scene as a base, with Eclectic Purple sponged on the tips. For the Electric Orange stripe, I painted a thick strip of polish on my palette, and dipped my tip into it. :) On top of everything, I used Copper Shimmer Effect and Sapphire Sparkle Effect on Konad Plate m65, using each polish on half of the design. Topped everything off with 2 coats of Seche Vite top coat.

    'Total realism'? On depth of focus and field in cinematography, mise-en-scène, and sound design

    Short documentary on the work of cinematographer Gregg Toland, one of the greatest Directors of Photography of all time. Also, read his article for the September 1941 issue of Theater Arts magazine The Motion Picture Cameraman.

    Film Studies For Free was so inspired by Jim Emerson's excellent essay 'Avatar, the French New Wave and the morality of deep-focus (in 3-D)' at his blog Scanners, that it decided to speed up production and publication of its long-in-preparation list of links to openly-accessible scholarly material of note on cinematographic depth of field, focus, and related matters of sound design and staging. Thanks Jim!

    Readers might also like to (re)visit FSFF's posts on 3D Studies, phenomenological film studies, film music and sound, Orson Welles  and Avatar.
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