Human Imagination is made up of a "Learning" imagination and a "Creative" imagination. The Learning imagination is the ability of humans to learn to associate sounds and symbols with abstract ideas in their mind and to communicate these abstract ideas with other minds. The Creative imagination is the ability to create new concepts, innovations and art.
Sabtu, 23 Januari 2010
Good night, sweet lady, good night: R.I.P. Jean Simmons (January 31, 1929-January 22, 2010)
Film Studies For Free today celebrates the career of the great British actress Jean Simmons who sadly died yesterday at the age of 80 (the BBC's excellent obituary is here; David Hudson's memorial posting is here).
After standing out in such early roles as the young Estella in David Lean's version of Great Expectations (1946), Kanchi in Black Narcissus (1947), and Ophelia in Laurence Olivier's Hamlet (1948), she successfully made the move to Hollywood and acted in some of the most brilliant films of the next decade, including Angel Face (1952), directed by Otto Preminger, The Actress (1953), The Robe (1953), The Egyptian (1954), Guys and Dolls (1955), The Big Country (1958), Elmer Gantry (1960), (directed by her second husband, Richard Brooks), and Stanley Kubrick's Spartacus (1960). She continued to appear in interesting film roles until just a few years ago, including her brilliantly voicing of Grandma Sophie in the anglophone version of Howl's Moving Castle (Hauru no ugoku shiro) (Hayao Miyazaki, 2004).
Below, in memory of this supremely talented and highly versatile actress, FSFF has embedded the film trailer heralding one of her greatest performances: Sister Sharon Falconer in Richard Brooks's Elmer Gantry, alongside Burt Lancaster in the title role. And below the video are FSFF's customary links to online and freely accessible scholarly and critical studies of some of the many films she starred in across her career.
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