Minggu, 18 Juli 2010

Jump Cut's Best Issue Ever?

 A re-enactment of a scene at Abu Ghraib in
Standard Operating Procedure (Errol Morris, 2008)

Back from its annual holidays, and (rather languidly) catching up with what it has missed, Film Studies For Free couldn't believe its luck to discover that the always excellent film and television studies e-journal Jump Cut had published one of its best (and biggest) issues ever.  Just take a look at the following tasty section headings and then scroll down further for direct links to each and every article. 

Experimental documentary; Reframing Standard Operating Procedure—Errol Morris and the creative treatment of Abu Ghraib; Corporate Hollywood today; U.S. film; International film and television (East Asian film and television; South Asian film; Latin American film; Central Asian television; European film and television; Middle Eastern film); Sex and its Anxieties; Torture and horror film; Experimental and art worlds; and The last word on Fretting about film criticism
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Experimental documentary
 
Conference report: Reframing Standard Operating Procedure—Errol Morris and the creative treatment of Abu Ghraib [Society for Cinema and Media Studies panel. Saturday, March 20, 2010. 2:00-3:45 pm. Chaired by Linda Williams (University of California, Berkeley). Papers by Bill Nichols (San Francisco State University), Jonathan Kahana (New York University), and Williams with a response by Irina Leimbacher (University of California, Berkeley)]
Corporate Hollywood today
U.S. film
International film and television
East Asian film and television
South Asian film
  • Rage against the state: historicizing the “angry young man” in Tamil cinema by Kumuthan Maderya (Tamil cinema’s “Angry Young Man” genre enjoyed a popular run in the 1980s, depicting the violent struggle of anti-heroes against failed bureaucracies, corrupt politicians, crooked cops, and a feeble justice system) 
  • Indian cinema and Partition by Jyotika Virdi (Love and loss in India's historical trauma, the Partition - Review of Bhaskar Sarkar's Mourning the Nation: Indian Cinema in the Wake of Partition. (Durham, N.C.: Duke University Press, 2009))
Latin American film
Central Asian television
European film and television
Middle Eastern film
Sex and its anxieties
Torture and horror film
Experimental and art worlds
The last word

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